Abyss Mesa

After training in classical and African percussion, Fabian Fiorini began studying piano at the age of fifteen.

Since then, he has continuously composed, performed, and improvised for the following artists and/or ensembles:
Les Tarafs de Haïdouks, Ictus Ensemble, Aka Moon, Octurn, Magik Malik, Gilbert Nouno, Ensemble InterContemporain, Anna Teresa De Keersmaeker, TG Stan, Le Groupov, Garrett List, Frederic Rzewski, Philippe Pierlot, Pierre Vaiana, Kris Defoort, Fabrice Murgia, Christophe Hermans, …

He frequently works with the music of the great masters – J.S. Bach, F. Chopin, R. Strauss, K. Weill, D. Scarlatti, T. Monk, C. Parker –
in order to highlight new auditory perspectives.

Since 2011, he has been teaching improvisation and Advanced Contemporary Language Training at the Royal Conservatory of Liège,
and since 2015 at Arts² in Mons, jazz harmony and M.A.I (Applied and Interactive Music – Composition for Image).

He is one of the thinkers and founders of the M.I.T.O. section (Improvised Music and Oral Traditions) – 2022.

He has composed numerous film soundtracks, including: La Ruche, L’Âge mûr, En attendant la deuxième vague, Drosera, Merckx, La Cage, Heysel.

Together with Amélie Hayoz, he co-composed the musical Paris Cancan and the Pocket Opera Pilgrims.